lost_reviews_dt

Die nachfolgenden Rezensionen beziehen sich auf die vorangeganene Privatveröffentlichung von "Lost In The Deep Blue", können aber bereits einen kleinen Vorgeschmack auf die Wiederveröffentlichung geben...

Aural Innovations, USA - November 2003:  „Lost In The Deep Blue is Frank's fourth album in less than two years, and follows in the footsteps of his previous CD's, being completely unpredictable, and decidedly fresh and exciting with each new release. (...) In summary, Lost In The Deep Blue is an impressive addition to what is quickly becoming a stylistically diverse and sonically compelling body of work.“ - vollständiger Artikel (Der Rezension folgt ein ausführliches Interview auf der gleichen Site).

Chain D.L.K., USA - November 2003: „Frank Gingeleit is back with a surprising album that sets apart from his previous production and provides a different approach to live avantgarde experimental music while keeping an outlook on free-jazz improvisation and krautrock. (...) I suggest you test your mind's openess with this record because it deserves your attention and your admiration.“ - vollständiger Artikel

Sonic Curiosity, USA - Dezember 2003: „Quirky electronics flow with exuberant purpose, unfurling and undulating to generate a shimmering atmosphere of crystalline sound. Cascading textures collide to form complex chords that become tension-laden riffs with the aid of eccentric percussives and resounding guitar effects.“ - vollständiger Artikel

Encyclopedia of Electronic Music, Russland - Januar 2004 (Update des Künstler- Eintrags): “Lost In the Deep Blue features pieces that in a way harken back to the soundworlds explored on Nightmare & Escapades rather than those of Megalopolis and Toy Island. All compositions were performed on just the guitar and guitar synth  and some of them sound like band performed bluesy tunes. Overall, a very satysfying outing with echoes of jazzy Ash Ra Tempel scattered throughout.” - vollständiger Artikel

Modern Dance, England - April 2004: „The album isn't just a cracking improv 'journey', it's actually testament to how a guitar synth works and what can be done with it. (...) The more you listen to this album, though, the more you appreciate the techniques involved, and, more to the point, the techniques that weren't, such as loops and computers. Eight tracks in all, each one blending rather effectively into the other - amazing stuff, an amazing guy I guess.“ - vollständiger Artikel

L.A. X..Press, 16.09.2004: "one of the most inventive and moving new electronica composers today" (...) "an aboriginal journey through the deserts and mesas of what could be considered the elemental qualities of human experience and universal consciousness" (...) "a virtuosity that is in the league of some of the more time honored prog-rock guitarists"  (der L.A. X..Press erscheint nur gedruckt)